Myrtó Papatanasiu – voice
Charikleia Glavopoulou – voice
Nicolas Vassiliou – coach
Dimitris Chandrakis – violin
Yannis Kormpetis – violin
Chara Sira – viola
Dimitris Patras – violoncello
Nikos Kyriosoglou – piano
Chrisa Grenda – correpetitor
Since her triumphant debut in 2007 as Violetta (La Traviata) at the Teatro dell’Opera di Roma, Myrtò Papatanasiu ranks among the most acclaimed sopranos worldwide. Her magnificent voice and dazzling stage presence have established her as a unique international opera singer.
Her engagements in the 2019/20 season take her to the Royal Opera House Covent Garden as Donna Elvira (Don Giovanni); to Gran Teatre del Liceu Barcelona as Vitellia (La Clemenza di Tito); to the New National Theatre Tokyo and Lugano as Violetta (La Traviata); to the Teatro Comunale di Bologna as Luisa Miller (title role); and to the Internationale Händel-Festspiele Göttingen as Berenice (Publio Cornelio Scipione).
As one of the most sought-after lyric artists today, she performs in the world’s leading opera houses including the Metropolitan Opera, Royal Opera House, Wiener Staatsoper, Deutsche Staatsoper Berlin, Bayerische Staatsoper, Opernhaus Zürich, Theater an der Wien, Opéra Nationale de Paris, Théâtre des Champs Élysées, Théâtre Royal de la Monnaie, Opéra de Monte-Carlo, San Diego Opera, The Dallas Opera, L’Opéra de Montréal, Sydney Opera House, New National Theatre Tokyo, Teatro dell’Opera di Roma, De Nationale Opera Amsterdam, Copenhagen Opera House, Gran Teatre del Liceu Barcelona, Teatro Regio di Torino, Teatro Carlo Felice Genova, Accademia Nazionale di Santa Cecilia di Roma, Teatro di San Carlo di Napoli and Grand Théâtre de Luxembourg, as well as the Festivals in Edinburgh, Mostly Mozart New York, Athens, Sferisterio Macerata and La Coruña.
She has worked with such renowned conductors as Iván Fischer, Bertrand de Billy, Christophe Rousset, Louis Langrée, Alberto Zedda, Ádám Fischer, Emmanuelle Haïm, Evelino Pidò, Teodor Currentzis, Riccardo Frizza, Constantinos Carydis, George Petrou, Jérémie Rhorer, Roberto Abbado, Gianluigi Gelmetti, Daniele Callegari, Alessandro de Marchi, Gian Luca Capuano, Claire Gibault, Marc Minkowski, Hartmut Haenchen, Stefano Ranzani, Stefan Soltesz, Gustavo Gimeno, Alexander Joel, and with orchestras such as Le Concert d’Astrée, Bamberger Symphoniker, Les Talens Lyriques, Le Cercle de l’Harmonie, Armonia Atenea, and L’Orchestra dell’Accademia Nazionale di Santa Cecilia in Rome.
She has expressed her fascinating creative power and filled the stage with her overwhelming presence in outstanding collaborations with major stage directors such as Robert Carsen, David Mac Vicar, Franco Zeffirelli, Pier Luigi Pizzi, Kasper Holten, Stefan Herheim, Jossi Wieler and Sergio Morabito, Keith Warner, Torsten Fischer, Davide Livermore, Clément Hervieu-Léger, Jean-Philippe Clarac, Olivier Delœuil, Cesare Lievi, Daniele Abbado, Graham Vick, David Hermann, David Bösch, Stéphane Braunschweig, and Tatjana Gürbaca.
In November 2016 Sony Classical released the long-awaited Don Giovanni recording under the direction of Teodor Currentzis, in which Myrtò Papatanasiu performed Donna Anna, after being recognized as an outstanding Mozart interpreter.
Her most celebrated Mozartian roles include those of Sifare (Mitridate, Rè di Ponto) at the Théâtre Royal de la Monnaie in Bruxelles, Théâtre des Champs-Élysées in Paris and Opéra de Dijon; Donna Elvira (Don Giovanni) at the Royal Opera House in London, Gran Teatre del Liceu Barcelona, San Diego Opera, Mostly Mozart Festival New York and at the Grand Théâtre de Genève; Donna Anna (Don Giovanni) at the Wiener Staatsoper, Theater an der Wien, Teatro Carlo Felice Genova, De Nationale Opera Amsterdam; Fiordiligi (Così Fan Tutte) at Palais Garnier in Paris, Copenhagen Opera House, Staatstheater Wiesbaden, De Vlaamse Opera Antwerpen, the Greek National Opera in Athens, and the Teatro Filarmonico di Verona; Konstanze (Die Entführung aus dem Serail) at Thessaloniki Concert Hall; Sandrina and Arminda (La Finta Giardiniera) at the Greek National Opera and the Opernhaus Zürich; Vitellia (La Clemenza di Tito) at the Volksoper Wien; and Contessa Almaviva (Le Nozze di Figaro) at the New National Theatre Tokyo and the Staatsoper Berlin.
For her particularly remarkable and memorable company debut as Violetta (La Traviata) at The Dallas Opera, Myrtò Papatanasiu was honoured with the prestigious «Maria Callas Debut Artist of the Year» Award in 2012.
Performing Violetta, one of her signature roles, she earned wide critical acclaim in various prominent productions at the Bayerische Staatsoper, Wiener Staatsoper, Teatro dell’Opera di Roma, Greek National Opera, Welsh National Opera, and the Royal Danish Theatre.
After Rossini’s much-acclaimed Anna (Maometto II) at the Concertgebouw Amsterdam; Donna Fiorilla (Il Turco in Italia) at the Teatro Carlo Felice di Genova; and Giulia (La Scala di Seta) at the Konzerthaus Wien, she was celebrated for her outstanding interpretation of Semiramide (title role) at De Vlaamse Opera Antwerpen and the Edinburgh Festival.
Further appearences include Nedda (I Pagliacci) at the Opernhaus Zürich; Alice (Falstaff), Nedda (I Pagliacci), and Tosca (title role) at the Teatro dell’Opera di Roma; Musetta (La Bohème), marking her debut at The Metropolitan Opera New York; and Amelia (Simon Boccanegra) in Montpellier, Luxembourg and Antwerpen.
Dvořák’s Rusalka (title role) at the Théâtre Royal de la Monnaie, has set a new milestone in Myrtò Papatanasiu’s career.
Furthermore, she has received particular attention for her unique portrayals of Händel’s Alcina (title role) at the Theater an der Wien, Opéra Garnier, Oper Stuttgart and at the Odeon of Herodes Atticus in Athens; Gluck’s Iphigénie (Iphigénie en Aulide) at the Theater an der Wien; Massenet’s Manon (title role), Puccini’s Mimi (La Bohème) and Gounod’s Juliette (Roméo et Juliette) at the Greek National Opera.
In recent seasons, her concert performances have included appearances at the Wiener Konzerthaus, the Concertgebouw Amsterdam, the Tchaikovsky Concert Hall St. Petersburg, Konzerthalle Bamberg, KKL Luzern, Tonhalle Zürich, Philharmonie Luxembourg, the Odeon of Herodes Atticus in Athens, the Sidney Opera House Concert Hall, the Seoul Arts Center, and most recently the Lincoln Center New York, in collaboration, inter alia, with such orchestras as the Wiener Philharmoniker, Budapest Festival Orchestra, Royal Concertgebouw Orchestra, and the RSO Wien.
Previous highlights include the live broadcast production of Beethoven’s Symphony N° 9 from the Concertgebouw Amsterdam under the direction of Iván Fischer; Beethoven’s Missa Solemnis at the Sydney Opera House Concert Hall on the occasion of the first visit of the Pope Benedict XVI to Australia; and the closing ceremony of the 2011 Special Olympics World Summer Games at the Panathenaic Stadium in Athens.
Myrtò Papatanasiu’s wide repertoire spans from Renaissance and Baroque (Monteverdi, Händel) to 20th century music (Menotti, Scott Joplin), displaying her great versatility.
CD and DVD recordings include, apart from the above-mentioned highly praised Mozart’s Don Giovanni under Teodor Currentzis, those of Rossini’s Il Turco in Italia (NAXOS, Arthouse Musik) and Semiramide (Dynamic); Mayr’s Ginevra di Scozia (NAXOS); Beethoven’s Symphony N°9 (RCO Live); works of Papaioanou (NAXOS); Mozart’s Don Giovanni (C Major, Opus Arte, Alpha); Mitridate re di Ponto (Mozart) and Dvořák’s Rusalka, a live video recording from the Théâtre de la Monnaie (EuroArts) under the button of Ádám Fischer.
Born in Larissa, Greece, Myrtò Papatanasiu studied piano and music theory at the local Conservatory as well as musicology at the Aristotle University of Thessaloniki, before receiving her vocal performance diploma with distinction and the first prize award from the State Conservatory of Thessaloniki. Being a recipient of the Megaron Athens Concert Hall Grant, she completed her studies in Milano under the guidance of Roberto Coviello.
Last update: March 2020
Soprano Charikleia Glavopoulou was born in Drama, Greece. She studied at the New Conservatory of Thessaloniki under Varvara Tsampali and graduated with a First Class Solo Diploma. She has attended masterclasses and lessons with Costas Pashalis, Nikos Zahariou, Eleni Karouso, Gabriella Ravazzi, Gabriele Pisani, Sergio Magli, F.M. Carminatti, Czaba Vegvary, George Hadjinikos, Daphne Evaggelatou, Mirella Freni and Cheryl Studer.
She went on to study at postgraduate level in Genova, Italy, with Gabriella Ravazzi and later in Athens with Varvara Gavakou.
Her Italian debut was in the lead role of Silvia in Mascagni’s Zanetto at the Teatro Mancinelli in Orvieto. In Italy, she gave vocal recitals in many cities and also toured with Gruppo Caronte. She also performed themed recitals with works by Greek composers at Teatro Carlo Felice Auditorium in Genova and at the Fiera Internazionale Di Milano.
In Greece she has collaborated with the Thessaloniki Municipal and State Orchestras, Thessaloniki Concert Hall, Thessaloniki Opera and other cultural institutions interpreting roles in Purcell’s Dido and Aeneas, Mozart’s Requiem, Menotti’s O Pulchritudo, Puccini’s Gianni Schicchi, Humperdinck’s Hansel and Gretel, Verdi’s La Traviata and Rigoletto. She has sung under the direction of distinguished maestros such as Loukas Karytinos, Nikos Athinaios, Dimitris Agrafiotis, Viron Fydetzis, Alkis Baltas and Luciano Di Martino.
Mrs Glavopoulou has performed in many music festivals around Greece as well as in solo and chamber music recitals. She performed Respighi’s Il Tramonto with the Aimilios Riadis Quartet at the Dimitria festival; she has also premiered works by Nicolaou with the Macedonian Saxophone Quartet at the Greek Composers Forum as part of the Dimitria festival. She interpreted the lead role of Margarita in the music-theatre show The story of Margarita…by Faust performing works by Schubert, Gounod, Verdi, Boito, Berlioz at the Centre for Drama Research. In 2013 she appeared at the Rhodes and Milos festivals and recently made a guest appearance at an Opera Gala homage to Verdi at the Tellogleio Cultural Centre.
She has been active as a singing teacher since 2000 and has worked at the New Conservatory of Thessaloniki, Music College, National Conservatory and the Municipal Conservatories of Lamia, Drama and Kavala. Since 2012 she has been teaching at the Summer Academy organized by the Municipal Conservatories Network.
Her students have excelled in competitions and have participated by means of audition in masterclasses organized by the Thessaloniki and Athens Megaron as well as other institutions. They have collaborated as soloists with the Thessaloniki State and Municipal orchestras and have performed at the Thessaloniki Megaron amongst distinguished singers under conductors such as Nikos Athinaios, Carolos Trikolidis, Miltos Logiadis and Andreas Tselikas. They have performed at the Centre for Music, the Municipal Theatres of Mitilini, Corfou, Lefkada, the Vafopoulos Cultural Centre of Thessaloniki and the Veria Megaron. In December 2012 her students performed three lead roles at Leoncavallo’s I Pagliacci at Aneton Municipal Theatre of Thessaloniki.
Mrs Glavopoulou is also a graduate of the Law School of the Aristotle University of Thessaloniki.
Pianist, conductor and composer, born in Athens. Studied piano, fugue, choral conducting in Athens and orchestral conducting at the Royal Scottish Academy of Music and Drama in Glasgow, through an Athens Academy scholarship (also awarded the “Alexander Gibson” grant in Scotland).
Taught music in secondary education, as well as piano and choral conducting at the Greek National Conservatory.
Director of children’s Choir “Manolis Kalomiris (1992-2000) teamed up many times with the Greek National Opera, the Athens Festival and the Athens Concert Hall Megaron.
Since 1994 participated in music preparation of at least 60 GNO productions as a repetiteur (broad repertoire, ranging from Purcell to Stravinsky, Verdi, Puccini, Ligeti, Dallapicolla etc). Initially, Assistant Director of the choir (2001/3), since 2005, chief Choir Director of the GNO (1st greek representation of Ligetis’ Grand Macabre, Wagners’ Tanhauser’, Adams’ Nixon in China e.t.c), a position held until 2011, when he became Studienleiter and assistant Orchestral Conductor of GNO, as well as head of Studies for the GNO Opera Studio.
Noted for conducting performances of 20thcentury opera pieces (Barber, Milhaud, Hindemith, Blacher, Glanert) and also rarely appeared classical pieces (Galuppi “L amante di tutte”, Mozart “La finta semplice”, Boccherini “Stabat Mater” e.t.c.) has also appeared as a conductor with the Athens State Orchestra and the Orchestra of colours, regurarly collaborates with Greek Composers Union in many world Premieres of compositions by contemporary composers.
Musical consultant of the Athens festival for 2017, as well as for the Pireaus Municipal Theater.
As a conductor for the GNO Alternative stage, conducted the greek premieres of Zimmermann’s “weisse rose”, Xenakis “Bacchae” and Borbudakis “z”.
In 2018, he conducted the final of the Maria Callas grand prix competition in Athens
Current projects include a new opera commissioned by the GNO Alternative stage and co operation with the National Opera Ballet in Stravinsky’s “Les Noces”.
Born in Thessaloniki-Greece in 1965.
Founder member of the New Hellenic Quartet, he studied the violin at the Thessaloniki State Conservatory under Kosmas Galileas and at the Vienna Music Academy under G. Pichler. He graduated in 1988.
He has appeared as a soloist with all major Greek orchestras.
From 1996 until 2003, he was konzertmeister of the Thessaloniki State Orchestra.
His discography includes all string quartets by Nikos Skalkottas, Giorgos Sicilianos, Mikis Theodorakis, Filippos Tsalachouris as well as the early string quartets by Carl Nielsen and the main chamber music works for string quartet by O.Respighi .
He has been teaching for 20 years at the Thessaloniki State Conservatory. In 2002 he was appointed as a full time professor for violin at the University “Makedonia” of Thessaloniki.
Violinist Yannis Kormpetis began his studies at the Kavala Municipal Conservatory. At the age of 14 he received his first Degree with the highest grade and two years later he graduated with a Diploma, again with the highest grade. From 1998 until 2006 he pursued graduate and postgraduate studies with Ulf Hoelscher at the Hochschule für Musik (University of Music) in Karlsruhe, graduating with the following degrees: Diploma of Orchestra Music (Orchester Musik, 2003, grade 1*), Diploma of “Artistic Education” (Diplom “Künstlerische Ausbildung”, grade 1*) and Soloist Diploma (Konzertexamen, 2006, grade 1*).
He has performed in many countries (Greece, Germany, Russia, Switzerland, Austria, Italy, Spain and France) with several important artists, such as Ulf Hoelscher, Jean Sulem, Christian Euler, Martin Ostertag and David Geringas, receiving excellent reviews from the Press. Moreover, he has recorded for the Greek and German Radio (SWR) and has won numerous awards in national and international competitions.
As a soloist, he has collaborated with the Crimean State Symphony Orchestra, the Neue Philharmonia Hungarica (Klavier-Festival Ruhr), the Sofia Sinfonietta in Sofia (Festival Salon des Arts NDK), the Bacau State Orchestra in Romania, the Thessaloniki City Symphony Orchestra, the Baden-Baden Jugendorchester, the Ensemble Korrespondenzen Baden-Baden, the Festival Orchester Euroclassic, the Nürnberger Jugendorchester at the Ancient Theatre of Philippi, the Orchestra of the 1st “Yannis A. Papaioannou” Festival in Kavala, and the Athens Philharmonia Orchestra.
He is the recipient of a monetary award from the “Propontis” Foundation, the “Yannis A. Papaioannou” Scholarship, the “Alexandros Onassis” Public Foundation Scholarship, and the “Alexandra Trianti” Scholarship of the Athens Concert Hall (Megaron).
He has participated actively in masterclasses with Wolfgang Jahn, Sebastian Schmidt, Sergej Kravchenko, Leonidas Kavakos, Charles Avsharian, Stephen B. Shipps, Taras Gabora, Sergej Stadler, and the Faure Quartet. From 1998 until 2003 he was a student of Stelios Kafantaris.
In June 2010 he was named Artistic Director and Assistant to Ulf Hoelscher at the “Summer Academy of Classical Music” in Asprovalta, Greece.
Mr. Kormpetis plays a 1703 violin made by “Antonio Maria Lavazza”.
Chara Sira, born in Athens-Greece, studied at the Hellenic Conservatory under Sofia Pimenides and Stelios Kafandaris and at the Conservatoire National Supérieur de Paris under Jean Sulem and Bruno Pasquier. She was awarded a unanimous First Prize with a special distinction in viola in 1994, and went on to complete her training at the Bordeaux Conservatory under Tasso Adamopoulos.
Member of the New Hellenic Quartet from 2001 to 2007, she has recorded works from Skalkotas, Respighi, Nielsen and Koshkin for BIS and has appeared in several chamber music festivals in Europe, the US and Asia.
As a soloist she has appeared with the Thessaloniki State Symphony Orchestra, the Athens Camerata, the National Radio Orchestra and the “Orchestra of Colours”.
A former principal violist of the National Radio Orchestra and the ‘Orchestra of Colours’ in Athens, she now holds the same position in the State Orchestra of Thessaloniki.
She has been teaching the viola for several years at the National Conservatory and the Macedonia University of Thessaloniki.
She is a member of the “A. Riadis” quartet and the “DissonArt Ensemble”.
Born in Thessaloniki, Greece in 1960. At the age of 6 he attended the State Conservatory of Thessalonica where he studied the cello. In 1980, after he received his cello diploma with honors, he earned the scholarship of the german state DAAD and he continued his studies in the “Hochschüle für Musik und Theater” in Hanover, Germany in the class of prof. F.J.Sellheim. He received the diploma of the soloist class in 1986 with honors. The same year, he continued his postgraduate studies in the Vienna Music Academy with André Navarra.
Dimitris Patras has performed as a soloist with all the greek symphony orchestras, with the Hannover Chamber Orchestra, with the french chamber orchestra “Helios’ and he has made many cello and chamber music recitals in music festivals in Greece, Germany, Austria, France, Denmark, Switzerland and Great Britain. He has performed many works of contemporary greek composers, some of which were written especially for him. He has also recorded his performances for the greek, german, danish and french radio and television.
He has taught in numerous international music seminars in Greece and in southern France. From 1989 to 2003 he was the principal solo cellist of the Thessalonica State Symphony Orchestra. He is the cellist of the chamber ensemble “Trio Salonique”. He is cello professor at the University of Macedonia and teaches cello at the Thessalonica State Conservatory.
Nikos Kyriosoglou was born in Serres, Northertn Greece, where he started the piano of twelve. His efforts were so fruitful that three years later he was accepted as a student of Niko Tasopoulo at the State Conservatory of Thessaloniki and later he earned a bachelor’s degree in music from the University of Macedonia-Department of Music Science and Art under the tutelage of the Russian pianist Tatiana Popandopulo. Following his graduation,in 2002, Nikos Kyriosoglou did postgraduate studies at the University of Music in Freiburg, Germany with renowned Professors Gilead Mishory and Pi-Hsien Chen and at the Lemmens Institute in Belgium with Professor Alan Weiss, his principal mentor. Other pianists who had a great influence in his artistic taste include Lazar Berman, Hans Leygraf, Roberto Szidon. .Kyriosoglou has been awarded first prizes and honors in several internationalcompetitions, such as the Thymis Piano Competition, the Muse International Piano Competition and the EPTA Piano Competition. He is also a very active chamber musician, appearing frequently in the most prestigious concert halls of Greece (AthensMegaron, Stavros Niarchos Foundation Cultural Center, Thessaloniki Concert Hall) and throughout Europe (Cyprus, Germany, France, Switzerland, Portugal, Bulgaria, U.K.),making him one of the most celebrated pianists of his generation in Greece. An avid chamber musician, Nikos Kyriosoglou has partnered with renowned peers including Rainer Moog, Rudolf Koelman, Geza Hosszu Legocky, Adriana Contino, Young-Chang Cho, Denis Bouriakov and Christoph Henkel and has performed on virtually every important concert series in Greece. He continuously presents masterclasses and has appeared as a collaborative pianist in the Porto Carras Music Masterclasses, the Montpellier International Summercourses and the Courchevel International Music Academy am ong others.As a soloist, Nikos Kyriosoglou has concertized extensively, performing with all the major Greek orchestras, successfully exploring a repertory that exceeds 17 major concertos, ranging from Haydn, Mozart, Beethoven, Saint-Saens and Liszt to Gershwin,Cage and other masters of the 20thcentury. He has also participated in numerous summer festivals, including the Aegina International Music Festival, Nafplion International Music Festival, Rhodes Festival, and many others. Kyriosoglou maintains active involvement with works of the 20thand 21stcenturies,performing solo and chamber music concerts in his home country, Cyprus, Germany and France.A recording artist, Kyriosoglou joined musical partner Malwina Sosnowski in Montpellier for a recital that was broadcasted by Radio France and Mezzo in 2008. Two years later, Radio BBC 3 selected his recording sand rebroadcasted it to Radio Polskie, NRK, Sveriges Radio, MR3-Bartók Rádió, Radio Romania.His various interests for the piano repertory range from baroque music and early classical period to the late romantic and contemporary period. His interpretation seeks to serve the composers’ demands with clarity and precision, as well as to bring out passion and commitment by using the piano as an instrument of expression and deepening the audience’s connection to music. Kyriosoglou continually explores the boundaries of the repertory and uses it as a vehicle to experiment with the contemporary and unexplored.
Parallel to his busy schedule of concert engagements, Nikos Kyriosoglou devotes much time to teaching, working alongside young talents to foster the next generation of classical music ambassadors and continues to serve as collaborative pianist at the State Conservatory.
Chrisa was born in Thessaloniki, Greece. At the age of 5, she took her first piano lessons. After obtaining her piano diploma (first prize for her diploma recital) she continued her studies at the Music Academy “Hanns Eisler” in Berlin. She also studied music theory, harmony and composition. She has participated in several master classes of outstanding piano teachers. In 1996 she won the 2nd prize for her performance in contemporary music at the “Hanns Eisler” competition in Berlin.
As a composer she has participated with her own compositions in concerts at the Athens Concert Hall and the State Opera in Berlin. Having a special interest in chamber music she has collaborated with many well-known musicians and has performed in Greece and other European countries (Germany, Switzerland, France, Spain, Sweden) at very important venues as: Cite de la musique Paris, Barbican Center London, Sage Gateshead Newcastle, Town Hall Birmingham.
From 2007 to 2011 she teached the piano at the Music Department of the Macedonia University in Thessaloniki. She was also piano assistant at the Summer Music Academy in Corfu and at “Ticino Musica” festival in Switzerland. Since 2014 she has been working as correpetitor / vocal coach at the Lefkas Music Week.